Lesson Six
Section One:
Tapescript.
Dialogue 1:
Is that Mr. Smith’s son?
No, it isn’t. It’s Mr. Morgan’s son.
Is he Irish?
No, he isn’t. He is Welsh.
Dialogue 2:
Where are your parents now?
They are in Zagrepp.
Is that in Austria?
No. It’s in Yugoslavia.
Dialogue 3:
Who is the girl by the door?
It’s Jone Smith.
Is she a nurse?
No. She’s a librarian.
Dialogue 4:
My hat and coat, please. Here is my ticket.
Thank you, sir. Here they are.
These are not mine. They are Mr. West’s.
I’m sorry, sir. Are these yours?
Yes, they are. Thank you.
Dialogue 5:
Whose handbag is that?
Which one?
The big leather one.
Oh, that’s Miss Clark’s.
Dialogue 6:
What are you looking at?
I’m looking at some stamps.
Are they interesting?
Yes. They are very rare ones.
Dialogue 7:
Where's Miss Green at the moment?
In her office.
What's she doing there?
She’s typing. I think.
Dialogue 8:
Are there any pencils in the drawer?
No, I’m sorry. There aren’t any.
Are there any ball-point pens, then?
Yes. There are lots of ball-points.
Dialogue 9:
I need some oil, please.
How much do you need, sir?
Three pounds, please.
Thank you, sir.
Dialogue 10:
Is there any shampoo in the cupboard?
No, I’m sorry. There isn’t any.
Is there any soap, then?
Yes. There is a whole pack of soap.
Dialogue 11:
Where does Miss Sue come from?
She comes from Tokyo.
What language does she speak, then?
She speaks Japanese.
Dialogue 12:
What does Miss Jenkins do?
She is a nurse.
Where does she work?
At the Westminster Hospital.
Dialogue 13:
Do you like your manager?
Yes. He is nice and kind. Is yours kind, too?
Oh, I’m sorry about that.
Dialogue 14:
Is anyone attending to you, sir?
No. I should like to see some dressing gowns.
What sort are you looking for, sir?
I fancy a red, silk one.
Section Two:
Tapescript.
Telephone Conversation 1:
Instructor: Henry wants tickets for Romeo and Juliet so he tries to telephone the box office. First he hears: (wrong number tone). He has dialed the wrong number. Then he tries again. (busy tone) Henry is fed up but he must get some tickets. He tries again and finally, he gets through.
(sound of phone ringing, receiver picked up)
Clerk: Cambridge Theatre. Box Office.
Henry: Have you got any tickets for Romeo and Juliet for this Saturday evening?
Clerk: Which performance? 5 p.m. or 8.30 p.m.?
Henry: 8.30 p.m. please.
Clerk: Sorry, that performance is sold out.
Henry: Well, have you got any tickets for the 5 p.m. performance?
Clerk: Yes, we have tickets at 4.50 pounds, 5.50 pounds and 6 pounds.
Henry: I’d like to reserve two seats at 4.50 pounds, please.
Clerk: Right. That’s two tickets at 4.50 pounds. Saturday, 5 p.m. performance. What's the name please?
Henry: Bishop. Henry Bishop.
Clerk: Thank you. You’ll collect the tickets before 3 p.m. on Saturday, won’t you?
Henry: Yes, of course. Thank you. Goodbye.
Telephone Conversation 2:
Clara: That number has been engaged for ages. Nobody can be that popular. I wonder if her number has been changed. I think I’ll try again.
(Sound of dialing and ringing tone.)
Sue: 334 6791.
Clara: Is that you, Sue?
Sue: Who's calling?
Clara: This is Clara. Clara Ferguson. Don't you remember me?
Sue: Clara! Of course I remember you. How are you? I haven’t heard from you for at least two years. What are you doing?
Clara: Nothing very exciting. That’s one reason I’m ringing. I need some advice.
Sue: Advice. Hmm. That’s good one. I’ve just been sacked.
Clara: There are the pips. Hang on, Sue.
Clara: What do you mean ... you’ve just been sacked? Sue, you’re the most successful woman I know.
Sue: That’s probably why I’ve been sacked. But let’s talk about you. You said you needed some advice.
Clara: I certainly do. I wanted to ask you about interviews. Have you had a lot of them?
Sue: Yes, I have. Too many.
Clara: So, could you tell me the sort of questions you're usually asked?
Sue: Let me think. The first ten questions are almost always the same. I call them the ‘whys’, ‘hows’, ‘wheres’.
(Sound of pips.)
Clara: Not again. Don’t go away, Sue. I’ve got one more coin.
Clara: Are you there, Sue?
Sue: Yes, I’m still here.
Clara: Sorry, I didn’t understand what you were telling me. Could you repeat it?
Sue: It’s very boring, but here you are:
I’m always asked:
Why I want to leave my present job.
Why I am interested in the new job.
How I intend to get to work.
How long I intend to stay in the job.
Where I live.
Where I went to school.
How much I’m paid in my present job.
How much I expect to be paid in the new job.
Oh yes. I’m always asked if I’m married.
(Sound of pips.)
Clara: That’s it, Sue. No more coins. I’ll write to you soon... and many thanks.
Section Three:
Dictation.
Dictation 1:
I am not going out with George again. Last week he invited me to go to a football match. I do not like football, so it was silly of me to say yes. We did not have seats, so we had to stand for two hours in the rain. I was cold and wet and I could not see a thing. So I asked George to take me home. He got very angry and said some very unpleasant things.
Dictation 2:
Last week the sun shone and it got quite hot. I decided to put on my light grey summer trousers. But I got a shock. I could not put them on. They were too small. It is possible that they got smaller during the winter, but I do not think so. I am afraid I got bigger. So I am going to eat less and I am going to take more exercise. I am definitely going to lose some weight.
雅思小作文攻略:柱状图&条形图
雅思写作模板:五类写作高频句式
雅思写作模板:小作文经典开头
雅思写作高分模板:观点一面倒的作文
雅思写作科技话题必备短语及表达
雅思写作素材:图表作文的时间表达
雅思写作提分还需创造语言环境
雅思写作高分模板:现象分析型作文
雅思写作高分模板:意见两边倒型作文
雅思写作模板:离婚率高的原因
G类雅思投诉信的写作思路指导
雅思写作模板:个人不能改善环境?
7分雅思写作模板范文:体罚的坏处
经典雅思写作加分句型
雅思写作模板:你心目中的老师
雅思写作task2审题策略
雅思写作模板:网络带来的利弊
合理利用模板才能制胜雅思写作
雅思写作高分模板:原因问题及解决
雅思写作复习“十字真经”
雅思大作文万能结尾整理
雅思写作高分模板:单一观点式作文
雅思写作模板:Agree or disagree
7分雅思写作模板范文:幸福是什么
如何让雅思写作的开头更吸引考官
雅思写作提分句式模板小结
雅思小作文攻略+范文:扇形图
7分雅思写作模板范文:计算机
雅思写作:地图题写作思路分析
雅思写作高分模板:同意与否型作文
不限 |
英语教案 |
英语课件 |
英语试题 |
不限 |
不限 |
上册 |
下册 |
不限 |