Lesson Six
Section One:
Tapescript.
Dialogue 1:
Is that Mr. Smith’s son?
No, it isn’t. It’s Mr. Morgan’s son.
Is he Irish?
No, he isn’t. He is Welsh.
Dialogue 2:
Where are your parents now?
They are in Zagrepp.
Is that in Austria?
No. It’s in Yugoslavia.
Dialogue 3:
Who is the girl by the door?
It’s Jone Smith.
Is she a nurse?
No. She’s a librarian.
Dialogue 4:
My hat and coat, please. Here is my ticket.
Thank you, sir. Here they are.
These are not mine. They are Mr. West’s.
I’m sorry, sir. Are these yours?
Yes, they are. Thank you.
Dialogue 5:
Whose handbag is that?
Which one?
The big leather one.
Oh, that’s Miss Clark’s.
Dialogue 6:
What are you looking at?
I’m looking at some stamps.
Are they interesting?
Yes. They are very rare ones.
Dialogue 7:
Where's Miss Green at the moment?
In her office.
What's she doing there?
She’s typing. I think.
Dialogue 8:
Are there any pencils in the drawer?
No, I’m sorry. There aren’t any.
Are there any ball-point pens, then?
Yes. There are lots of ball-points.
Dialogue 9:
I need some oil, please.
How much do you need, sir?
Three pounds, please.
Thank you, sir.
Dialogue 10:
Is there any shampoo in the cupboard?
No, I’m sorry. There isn’t any.
Is there any soap, then?
Yes. There is a whole pack of soap.
Dialogue 11:
Where does Miss Sue come from?
She comes from Tokyo.
What language does she speak, then?
She speaks Japanese.
Dialogue 12:
What does Miss Jenkins do?
She is a nurse.
Where does she work?
At the Westminster Hospital.
Dialogue 13:
Do you like your manager?
Yes. He is nice and kind. Is yours kind, too?
Oh, I’m sorry about that.
Dialogue 14:
Is anyone attending to you, sir?
No. I should like to see some dressing gowns.
What sort are you looking for, sir?
I fancy a red, silk one.
Section Two:
Tapescript.
Telephone Conversation 1:
Instructor: Henry wants tickets for Romeo and Juliet so he tries to telephone the box office. First he hears: (wrong number tone). He has dialed the wrong number. Then he tries again. (busy tone) Henry is fed up but he must get some tickets. He tries again and finally, he gets through.
(sound of phone ringing, receiver picked up)
Clerk: Cambridge Theatre. Box Office.
Henry: Have you got any tickets for Romeo and Juliet for this Saturday evening?
Clerk: Which performance? 5 p.m. or 8.30 p.m.?
Henry: 8.30 p.m. please.
Clerk: Sorry, that performance is sold out.
Henry: Well, have you got any tickets for the 5 p.m. performance?
Clerk: Yes, we have tickets at 4.50 pounds, 5.50 pounds and 6 pounds.
Henry: I’d like to reserve two seats at 4.50 pounds, please.
Clerk: Right. That’s two tickets at 4.50 pounds. Saturday, 5 p.m. performance. What's the name please?
Henry: Bishop. Henry Bishop.
Clerk: Thank you. You’ll collect the tickets before 3 p.m. on Saturday, won’t you?
Henry: Yes, of course. Thank you. Goodbye.
Telephone Conversation 2:
Clara: That number has been engaged for ages. Nobody can be that popular. I wonder if her number has been changed. I think I’ll try again.
(Sound of dialing and ringing tone.)
Sue: 334 6791.
Clara: Is that you, Sue?
Sue: Who's calling?
Clara: This is Clara. Clara Ferguson. Don't you remember me?
Sue: Clara! Of course I remember you. How are you? I haven’t heard from you for at least two years. What are you doing?
Clara: Nothing very exciting. That’s one reason I’m ringing. I need some advice.
Sue: Advice. Hmm. That’s good one. I’ve just been sacked.
Clara: There are the pips. Hang on, Sue.
Clara: What do you mean ... you’ve just been sacked? Sue, you’re the most successful woman I know.
Sue: That’s probably why I’ve been sacked. But let’s talk about you. You said you needed some advice.
Clara: I certainly do. I wanted to ask you about interviews. Have you had a lot of them?
Sue: Yes, I have. Too many.
Clara: So, could you tell me the sort of questions you're usually asked?
Sue: Let me think. The first ten questions are almost always the same. I call them the ‘whys’, ‘hows’, ‘wheres’.
(Sound of pips.)
Clara: Not again. Don’t go away, Sue. I’ve got one more coin.
Clara: Are you there, Sue?
Sue: Yes, I’m still here.
Clara: Sorry, I didn’t understand what you were telling me. Could you repeat it?
Sue: It’s very boring, but here you are:
I’m always asked:
Why I want to leave my present job.
Why I am interested in the new job.
How I intend to get to work.
How long I intend to stay in the job.
Where I live.
Where I went to school.
How much I’m paid in my present job.
How much I expect to be paid in the new job.
Oh yes. I’m always asked if I’m married.
(Sound of pips.)
Clara: That’s it, Sue. No more coins. I’ll write to you soon... and many thanks.
Section Three:
Dictation.
Dictation 1:
I am not going out with George again. Last week he invited me to go to a football match. I do not like football, so it was silly of me to say yes. We did not have seats, so we had to stand for two hours in the rain. I was cold and wet and I could not see a thing. So I asked George to take me home. He got very angry and said some very unpleasant things.
Dictation 2:
Last week the sun shone and it got quite hot. I decided to put on my light grey summer trousers. But I got a shock. I could not put them on. They were too small. It is possible that they got smaller during the winter, but I do not think so. I am afraid I got bigger. So I am going to eat less and I am going to take more exercise. I am definitely going to lose some weight.
详解雅思听力中的对话与独白
雅思听力高分奥秘:从声音到全篇
详解雅思听力考试中的七个陷阱
雅思听力复习要具备的两种基础
雅思听力动物场景中的冷门知识点
雅思听力必备的五种"衔接"能力
雅思听力:心理原因造成的“落差”需引以为戒
从教学和练习谈雅思听力的提高方法
雅思听力选择题的审题方法指导
解答雅思听力Section 4的三个步骤
分享雅思听力租房场景的备考指南
雅思听力反应速度慢需要对症下药
如何应对雅思听力考试的7只拦路虎
帮助雅思听力审题的两类关键词
拿下雅思听力考试高分的6个策略
提高雅思听说能力需注意的三个要点
详解雅思听力教学的“三级跳”法
雅思听力高频同义转换词汇总结
雅思听力考试的四种替换原则
雅思听力考试的两大命题原则
雅思听力考前一周要加强“边听边记”训练
如何提高雅思听力的基本能力
如何培养雅思听力中的"条件反射"?
雅思听力图形标签题的三种分类
雅思听力中的高频地名总结
雅思听力关键词后置问题分析
雅思听力考试过程中的十三个原则
解答雅思听力题目要有目的性
四个实用的雅思听力词汇背诵方法
雅思听力小词分析:but
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