Passage Three
Questions 31 to 35 are based on the following passage.
It is hardly necessary for me to cite all the evidence of the depressing state of literacy. These figures from the Department of Education are sufficient: 27 million Americans cannot read at all, and a further 35 million read at a level that is less than sufficient to survive in our society.
But my own worry today is less that of the overwhelming problem of elemental literacy than it is of the slightly more luxurious problem of the decline in the skill even of the middle-class reader, of his unwillingness to afford those spaces of silence, those luxuries of domesticity and time and concentration, that surround the image of the classic act of reading. It has been suggested that almost 80 percent of Americas literate, educated teenagers can no longer read without an accompanying noise in the background or a television screen flickering(闪烁)at the corner of their field of perception. We know very little about the brain and how it deals with simultaneous conflicting input, but every common-sense intuition suggests we should be profoundly alarmed. This violation of concentration, silence, solitudegoes to the very heart of our notion of literacy, this new form of part-reading, of part-perception against background distraction, renders impossible certain essential acts of apprehension and concentration, let alone that most important tribute any human being can pay to a poem or a piece of prose he or she really loves, which is to learn it by heart. Not by brain, by heart; the expression is vital.
Under these circumstances, the question of what future there is for the arts of reading is a real one. Ahead of us lie technical, psychic, and social transformations probably much more dramatic than those brought about by Gutenberg, the German inventor in printing. The Gutenberg revolution, as we now know it, took a long time; its effects are still being debated. The information revolution will touch every facet of composition, publication, distribution, and reading. No one in the book industry can say with any confidence what will happen to the book as weve known it.
31.The picture of the reading ability of the American people, drawn by the author, is .
A) rather bleak C) very impressive
B) fairly bright D) quite encouraging
32.The authors biggest concern is .
A)elementary school childrens disinterest in reading classics
B) the surprisingly low rate of literacy in the U.S.
C) the musical setting American readers require of reading
D) the reading ability and reading behavior of the middle class
33.A major problem with most adolescents who can read is .
A)their fondness of music and TV programs
B) their ignorance of various forms of art and literature
C) their lack of attentiveness and basic understanding
D)their inability to focus on conflicting input
34.The author claims that the best way a reader can show admiration for a piece of poetry or prose is .
A) to the able to appreciate it and memorize it
B) to analyze its essential features
C) to think it over conscientiously
D) to make a fair appraisal of its artistic value
35. About the future of the arts of reading the author feels .
A) upset B) uncertain C) alarmed D) pessimistic
答案:
31.A 32.D 33.C 34.A 35.B
英语语法:零冠词的用法
英语语法:疑问代词
英语语法:关系代词
英语语法:none, few, some, any, one, ones的区别
助动词shall和will的用法
英语语法:反身代词
助动词语法知识点
英语语法:物主代词
和more有关的词组语法讲解
many,old 和 far的区别
英语语法:代词的指代问题
助动词be的用法
短语动词的用法
以-ly结尾的形容词
英语语法:不定冠词的用法
英语语法:every , no, all, both, neither, nor的区别
英语语法:相互代词
英语语法:人称代词的用法
英语语法:many,much的区别
助动词have的用法
英语中可修饰比较级的词有哪些
英语语法:one/another/the other的区别
形容词与副词的比较级
非谓语动词的用法
英语语法:anyone/any one;no one/none;every/each的区别
形容词及其用法
系动词的语法应用
兼有两种形式的副词
助动词should,would的用法
few, little, a few, a little的区别
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