Passage Three
Questions 31 to 35 are based on the following passage.
It is hardly necessary for me to cite all the evidence of the depressing state of literacy. These figures from the Department of Education are sufficient: 27 million Americans cannot read at all, and a further 35 million read at a level that is less than sufficient to survive in our society.
But my own worry today is less that of the overwhelming problem of elemental literacy than it is of the slightly more luxurious problem of the decline in the skill even of the middle-class reader, of his unwillingness to afford those spaces of silence, those luxuries of domesticity and time and concentration, that surround the image of the classic act of reading. It has been suggested that almost 80 percent of Americas literate, educated teenagers can no longer read without an accompanying noise in the background or a television screen flickering(闪烁)at the corner of their field of perception. We know very little about the brain and how it deals with simultaneous conflicting input, but every common-sense intuition suggests we should be profoundly alarmed. This violation of concentration, silence, solitudegoes to the very heart of our notion of literacy, this new form of part-reading, of part-perception against background distraction, renders impossible certain essential acts of apprehension and concentration, let alone that most important tribute any human being can pay to a poem or a piece of prose he or she really loves, which is to learn it by heart. Not by brain, by heart; the expression is vital.
Under these circumstances, the question of what future there is for the arts of reading is a real one. Ahead of us lie technical, psychic, and social transformations probably much more dramatic than those brought about by Gutenberg, the German inventor in printing. The Gutenberg revolution, as we now know it, took a long time; its effects are still being debated. The information revolution will touch every facet of composition, publication, distribution, and reading. No one in the book industry can say with any confidence what will happen to the book as weve known it.
31.The picture of the reading ability of the American people, drawn by the author, is .
A) rather bleak C) very impressive
B) fairly bright D) quite encouraging
32.The authors biggest concern is .
A)elementary school childrens disinterest in reading classics
B) the surprisingly low rate of literacy in the U.S.
C) the musical setting American readers require of reading
D) the reading ability and reading behavior of the middle class
33.A major problem with most adolescents who can read is .
A)their fondness of music and TV programs
B) their ignorance of various forms of art and literature
C) their lack of attentiveness and basic understanding
D)their inability to focus on conflicting input
34.The author claims that the best way a reader can show admiration for a piece of poetry or prose is .
A) to the able to appreciate it and memorize it
B) to analyze its essential features
C) to think it over conscientiously
D) to make a fair appraisal of its artistic value
35. About the future of the arts of reading the author feels .
A) upset B) uncertain C) alarmed D) pessimistic
答案:
31.A 32.D 33.C 34.A 35.B
2011年实用口语练习:“挑刺儿”
英语口语主题:交际英语热门话题47个(2--介绍)
2011年实用口语练习:你把事情搞砸了
口语情景对话:走遍美国精选 偷得浮生半日闲ACT 1 - 2
2011年实用口语练习:In the bookstore 在书店里
英语口语-商业谨致问候语
如何用英语表达“原来啊…”
2011年实用口语练习:我是无辜的
2011年实用口语练习:别想宰我,我识货
英语口语主题:交际英语热门话题47个(6--闲聊)
2011年实用口语练习:出恭的各种表达
2011年实用口语练习:“淘金热”
2011年实用口语练习:昙花一现式的一夜成名
英语口语:怎样放“狠话”让对方离你远点
如何用英文表达“欣赏,感激”
如何用英语表达“你得减肥了”
如何提高英语口语
2011年实用口语练习:当猪飞起来的时候
2011年实用口语练习:遮人耳目
2011年实用口语练习:今天我做东
2011年实用口语练习:课余阅读
2011年实用口语练习:Assignment 家庭作业
实用口语:关于衣服的必备短语
实用口语情景轻松学:有假钞的时候要送到银行去
如何用英文表达“满意”
实用口语情景轻松学:我怀疑我是否能及格
2011年实用口语练习:睡或不睡
2011年实用口语练习:口语当中的ball
2011年实用口语练习:各种睡不着
男生女生:我们可以只当朋友吗?
| 不限 |
| 英语教案 |
| 英语课件 |
| 英语试题 |
| 不限 |
| 不限 |
| 上册 |
| 下册 |
| 不限 |