A short walk from my house in Hampshire, on a hill overlooking theheathland(石南灌丛), is a plaque marking the spot where Richard Pryce Jones deliberately crashed his Halifax bomber during the war. He could haveparachuted(跳伞)to safety, but that would have meant crashing into the village. The epitaph(碑文,墓志铭)reads: "He died that others might live."
It never fails to move me. Not to tears, you understand. That would be disrespectful. But I do usually manage a lump in the throat and that film of moisture over the eyes that men have in their emotional armoury. Gordon Brown demonstrated the non-crying cry beautifully when he made his farewell speech on the steps of Number 10. That catch in the throat. The determination not to weep in public. At that moment, if at no other, he had nobility.
Not everyone can carry it off. I don't think Paul Gascoigne ever quite got the hang of it, for example. But I like to think I have it down to an art, my techniquehoned(磨光)from years of watching The Railway Children, Sleepless in Seattle and that scene in Dumbo when the mother elephant is locked away. "Daddy!" my sons will say, pointing the accusing finger. "You're crying!"
"Me? Over Dumbo? Ha ha ha. No, boys, what I am doing is man-crying, a sort of non-crying cry. I'll teach you it one day. Very useful."
They are too young to appreciate thenuance(细微差别)yet, but when they are older I will explain that open sobbing is associated with being female, and so inappropriate for men. The Charlie Chaplinanalogy(类比)might be useful here. He once said that the way to act drunk is to imagine yourself a drunk man trying to act sober. The same is true when a man learns the non-crying cry. To be convincing, you must look as if you are trying to avoid tears.
In this respect, it is important for a young man to appreciate the difference between male tears and female. I remember once asking the actress Emilia Fox if she could cry at will, right there and then, over lunch. To my astonishment, she could – from a standing start. Fat tears rolling down her cheeks. When she had finished, she resumed her smilingcountenance(面容,表情).
Those are female tears, and the reason you never hear anyone say: "It's enough to make a grown woman cry." That expression only works when it refers to "grown men" and though that may seem tautological, the "grown" is justified. Not all men are grown. The emotionally incontinent exhibitionists who cry when they are kicked off talent shows such as The X Factor are not grown men, for example. Men have to be careful what they cry at, because some subjects are more worthy of tears than others. Grief, obviously. But not self-pity. And rarely should a man cry in pain. And never at the death of a princess he didn't know. Those are the rules.
I suspect my colleague Matt Pritchett might be with me on this. One of his cartoons this past week showed a father next to a television tuned to the World Cup, explaining to his children that "at some point in the next few weeks, you are going to see me cry". And the day after the last survivor of the Great Escape died, he did a cartoon showing a gravestone with amound(堆,高地)of tunnelled earth trailing away from it. I seemed to have something in my eye when I saw that, and I expect he had the same something in his eye when he drew it.
二年级英语对话练习:你怎么了?(3)
二年级英语对话练习:你怎么了?(2)
鹅妈妈童谣:知更鸟
鹅妈妈童谣:杰克和吉尔
二年级英语口语练习:你叫什么名字
二年级英语口语练习:很高兴见到你
二年级英语口语练习:你几岁了?
鹅妈妈童谣:这只小猪猪去了超市
二年级英语口语练习:早上好!
二年级英语口语练习:我两岁了
二年级英语对话练习:你好吗?(3)
小学二年级英语口语练习汇总
二年级英语口语练习:我叫____
鹅妈妈童谣:萨利绕着太阳转
鹅妈妈童谣:杰克快点儿
鹅妈妈童谣:乔治珀治
鹅妈妈童谣:风儿吹呀吹,快点儿去磨坊
鹅妈妈童谣:我们绕过桑树丛
鹅妈妈童谣:绕着玫瑰花环玲玲起舞
鹅妈妈童谣:福斯特博士去格洛斯特
二年级英语对话练习:你好吗?(1)
二年级英语口语练习:你是谁呀?
二年级英语口语练习:你好吗?
二年级英语对话练习:喂,丹尼斯!
二年级英语对话练习:你好吗?(2)
二年级英语口语练习:见到你很高兴
鹅妈妈童谣:我有一棵神奇的树
鹅妈妈童谣:跷跷板,玛琼琳·朵
鹅妈妈童谣:玛丽小姐真倔强
二年级英语对话练习:我感冒了
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