A short walk from my house in Hampshire, on a hill overlooking theheathland(石南灌丛), is a plaque marking the spot where Richard Pryce Jones deliberately crashed his Halifax bomber during the war. He could haveparachuted(跳伞)to safety, but that would have meant crashing into the village. The epitaph(碑文,墓志铭)reads: "He died that others might live."
It never fails to move me. Not to tears, you understand. That would be disrespectful. But I do usually manage a lump in the throat and that film of moisture over the eyes that men have in their emotional armoury. Gordon Brown demonstrated the non-crying cry beautifully when he made his farewell speech on the steps of Number 10. That catch in the throat. The determination not to weep in public. At that moment, if at no other, he had nobility.
Not everyone can carry it off. I don't think Paul Gascoigne ever quite got the hang of it, for example. But I like to think I have it down to an art, my techniquehoned(磨光)from years of watching The Railway Children, Sleepless in Seattle and that scene in Dumbo when the mother elephant is locked away. "Daddy!" my sons will say, pointing the accusing finger. "You're crying!"
"Me? Over Dumbo? Ha ha ha. No, boys, what I am doing is man-crying, a sort of non-crying cry. I'll teach you it one day. Very useful."
They are too young to appreciate thenuance(细微差别)yet, but when they are older I will explain that open sobbing is associated with being female, and so inappropriate for men. The Charlie Chaplinanalogy(类比)might be useful here. He once said that the way to act drunk is to imagine yourself a drunk man trying to act sober. The same is true when a man learns the non-crying cry. To be convincing, you must look as if you are trying to avoid tears.
In this respect, it is important for a young man to appreciate the difference between male tears and female. I remember once asking the actress Emilia Fox if she could cry at will, right there and then, over lunch. To my astonishment, she could – from a standing start. Fat tears rolling down her cheeks. When she had finished, she resumed her smilingcountenance(面容,表情).
Those are female tears, and the reason you never hear anyone say: "It's enough to make a grown woman cry." That expression only works when it refers to "grown men" and though that may seem tautological, the "grown" is justified. Not all men are grown. The emotionally incontinent exhibitionists who cry when they are kicked off talent shows such as The X Factor are not grown men, for example. Men have to be careful what they cry at, because some subjects are more worthy of tears than others. Grief, obviously. But not self-pity. And rarely should a man cry in pain. And never at the death of a princess he didn't know. Those are the rules.
I suspect my colleague Matt Pritchett might be with me on this. One of his cartoons this past week showed a father next to a television tuned to the World Cup, explaining to his children that "at some point in the next few weeks, you are going to see me cry". And the day after the last survivor of the Great Escape died, he did a cartoon showing a gravestone with amound(堆,高地)of tunnelled earth trailing away from it. I seemed to have something in my eye when I saw that, and I expect he had the same something in his eye when he drew it.
[句子的种类]句子的种类
[动词的语态]短语动词的被动语态
[动词的时态]一般现在时代替现在完成时
[动词的时态]一般现在时的用法
[动词的时态]比较一般过去时与现在完成时
[分词]连词+分词(短语)
[倒装]以否定词开头作部分倒装
[动词的时态]用于现在完成时的句型
[倒装]so, neither, nor作部分倒装
[倒装]as, though 引导的倒装句
[动词的时态]一般过去时的用法
[动词的时态]将来进行时
[句子的种类]反意疑问句
[主谓一致]主谓一致
[动词的时态]过去进行时
[分词]分词作状语
[动词的时态]一般现在时表将来
[动词的时态]延续动词与瞬间动词
[动词的时态]时态一致
[虚拟语气]真实条件句
[分词]分词作定语
[句子的种类]强调句结构
[句子的种类]祈使句结构
[动词的时态]一般现在时代替一般过去时
[分词] 分词作插入语
[动词的时态]用现在进行时表示将来
[分词]分词作表语
[倒装]only在句首倒装的情况
[动词的时态] used to / be used to
[动词的时态]since的四种用法
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