2015职称英语考试卫生类A级真题及答案：完形填空

　　2015年全国职称英语考试于3月28日(9：00-11：00)举行。针对考后考生最关注的2015职称英语考试真题及答案解析问题，英语网在考后第一时间为您整理发布2015职称英语考试真题及答案解析：卫生类。预祝各位考生顺利通过2015职称英语考试!

　　2015年职称英语考试卫生A完形填空来自于卫生教材阅读判断第13篇 Stage Fright。各位考友可以参考教材原文，比对答案。

　　以下为卫生教材原文：

　　第十三篇 Stage Fright

　　Fall down as you come onstage. Thats an odd trick. Not recommended. But it saved the pianist Vladimir Feltsman when he was a teenager back in Moscow. The veteran cellist Mstislav Rostropovich tripped him purposely to cure him of pre-performance panic,2 Mr. Feltsman said, All my fright was gone. I already fell. What else could happen?

　　Today, music schools are addressing the problem of anxiety in classes that deal with performance techniques and career preparation. There are a variety of strategies that musicians can learn to fight stage fright and its symptoms: icy fingers, shaky limbs, racing heart, blank mind.3

　　Teachers and psychologists offer wide-ranging advice, from basics like learning pieces inside out,4 to mental discipline, such as visualizing a performance and taking steps to relax. Dont deny that youre jittery，they urge; some excitement is natural, even necessary for dynamic playing. And play in public often, simply for the experience.

　　Psychotherapist Diane Nichols suggests some strategies for the moments before performance, Take two deep abdominal breaths, open up your shoulders, then smile, she says. And not one of these please dont kill me smiles. Then choose three friendly faces in the audience, people you would communicate with and make music to, and make eye contact with them. She doesnt want performers to think of the audience as a judge.

　　Extreme demands by mentors or parents are often at the root of stage fright，says Dorothy Delay, a well-known violin teacher. She tells other teachers to demand only what their students are able to achieve.

　　When Lynn Harrell was 20，he became the principal cellist of the Cleverland Orchestra, and he suffered extreme stage fright. There were times when I got so nervous I was sure the audience could see my chest responding to the throbbing. It was just total panic. I came to a point where I thought, If I have to go through this to play music, I think Im going to look for another job.5 Recovery, he said, involved developing humility-recognizing that whatever his talent, he was fallible，and that an imperfect concert was not a disaster.

　　It is not only young artists who suffer, of course. The legendary pianist Vladimir Horowitzs nerves were famous. The great tenor Franco Corelli is another example. They had to push him on stage, Soprano Renata Scotto recalled.

　　Actually，success can make things worse. In the beginning of your career, when youre scared to death, nobody knows who you are, and they dont have any expectations, Soprano June Anderson said. Theres less to lose. Later on, when youre known, people are coming to see you, and they have certain expectations. You have a lot to lose.

　　Anderson added，I never stop being nervous until Ive sung my last note.