There are many theories about the beginning of drama in ancient Greece. The one most widely accepted today is based on the assumption that drama evolved from ritual. The argument for this view goes as follows. In the beginning, human beings viewed the natural forces of the world - even the seasonal changes - as unpredictable, and they sought through various means to control these unknown and feared powers. Those measures which appeared to bring the desired results were then retained and repeated until they hardened into fixed rituals. Eventually stories arose which explained or veiled the mysteries of the rites. As time passed some rituals were abandoned, but the stories, later called myths, persisted and provided material for art and drama. Those who believe that drama evolved out of ritual also argue that those rites contained the seed of theater because music, dance, masks, and costumes were almost always used. Furthermore, a suitable site had to be provided for performances and when the entire community did not participate, a clear division was usually made between the acting area and the auditorium. In addition, there were performers, and, since considerable importance was attached to avoiding mistakes in the enactment of rites, religious leaders usually assumed that task. Wearing masks and costumes, they often impersonated other people, animals, or supernatural beings, and mimed the desired effect -- success in hunt or battle, the coming rain, the revival of the Sun -- as an actor might. Eventually such dramatic representations were separated from religious activities. Another theory traces the theaters origin from the human interest in storytelling. According to this view tales are gradually elaborated, at first through the use of impersonation, action, and dialogue by a narrator and then through the assumption of each of the roles by a different person. A closely related theory traces theater to those dances that are primarily rhythmical and gymnastic or that are imitations of animal movements and sounds.
need 不必做和本不该做
宾语从句学习指要
表语从句用法详解(例句丰富)
真实条件句
同位语边缘知识归纳
wish的用法
wish后的宾语从句的虚拟语式
带虚拟语气宾语从句的四个数字
混合条件句
与过去事实相反的虚拟语气
虚拟语气典型考题10例
It is (high) time that
有关虚拟语气的几点重要说明
用过去式表示的虚拟语气
八种宾语从句不省略that
虚拟条件句的倒装
主语从句中的虚拟语气
关系型 what引导名词性从句的五种用法
学习名词性从句应注意的两个问题
虚拟语气配套练习及答案
It is time 后的定语从句用虚拟语气
同位语从句用法详解(例句丰富)
主语从句用法详解(例句丰富)
与将来事实相反的虚拟语气
同位语从句学习指要
非真实条件句
虚拟语气
宾语从句用虚拟语气的10种类型
使用名词性从句的两个注意点
宾语从句用法详解(例句丰富)
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