想哭就哭 CROSSING an Athens street by foot on a warm spring afternoon in 1985, I checked a taxi waiting at the light to make sure it was not going to jump the red. In the back seat I spied the unmistakeable figure of Christopher Hitchens, larger than when Id last seen him, larger than anyone in their mid-30s ought to be, made larger still by an unnecessary overcoat thrown over the shoulders in the manner of a ballet impresario from an earlier time. He saw me, called my name, threw open the door and stepped into the street. The light was now green and traffic was hooting. Heedless as ever to context but wholly in role, he let go an uncounted shower of drachma notes into the grateful drivers hand and greeted me theatrically with a kiss on both cheeks. Like me, he was in Athens to write about the Greek elections. The previous day, Andreas Papandreouthe father of the recently replaced prime ministerhad handily won a second parliamentary term as leader of his countrys Social Democrats. Though not like me, because Christopher was not like other journalists. I didnt see you at the Press centre last night, I said. No, he replied, I was at the Papandreous. How the next hours unfolded, I dont recall. I do vividly remember that around two in the morning, Christopher was entertaining a small group of us at a restaurantquoting, parrying, recounting, provoking. His speed of memory was daunting. He always seemed able to cite what an opponent in argument had said or written years earlier, deploying it quickly and wittily at the surest moment to expose them as fools, ditherers or hypocrites. That essentially 18th-century skill made him as lethal on television as he was on the page. He wrote the way he spoke, in boutades and in paragraphs, often with a blood-level of alcohol that would leave most of us speechless. He was catholic in his love and knowledge of the written word, but on the whole stayed off movies, theatre, visual arts and music. Had he a trace of Puritan suspicion that such arts were elite, effete and not morally serious? I suspect it was more that each of those arts has its standards of performance and he was a performer in a competing mediumhis own words. You had to hear him in real time, and I rate myself lucky that on a few occasions I did hear him at tableusually late on when everyone else had stopped talking, not because they were silenced or bested but because there and then it was simply more satisfying to listen to him. I dont know, and who does, if his copious writing will stand up in the way that the work of his politico-literary hero George Orwell has stood up. Those who found little to admire or agree with in Christopher, especially after he backed the Iraq War in 2003, will laugh at the comparison. Even those who enjoyed his overflowing talents as journalist and talker may find it a stretch. Differences of water level and achievement stand out. Yet there are likenesses, too. Neither could tolerate camps, least of all their own: like Orwell, Christopher kept his harshest barbs for the left. Neither were doctrinal and, though Christopher took on big topicsnotably religious belief, of which he claimed to have nonehis small-motor skills with tricky ideas were no finer than Orwells. Neither were really interested in policy or government, though from sheer forensic bravado Christopher would happily take on the best-briefed wonk. Both wrote from an essentially emotional perception about the moral condition of the world. Orwell once praised Charles Dickens for the vagueness of his radicalism. He did not mean evasiveness or lack of clarity, but a deep conviction that something was wrong with society and that the only constructive suggestion was: Behave decently. Christophers constructive suggestions were never so clear, but his negative drive was unmistakeable and gave him a consistency his detractors wrongly said he lacked: locate power, distrust it and take it down a peg, even if you cant knock it off its perch. Odd as it sounds, somewhere in Christopher was a backwoods Tory anarchist. Status and power fascinated him as targets, not as ways to discrimate among people. He was open to everyone and called all comers by first namethat memory again!even if they were not near friends. My calling him Christopher repays the compliment. Hitchens would sound both too distant and too knowing. Now I think about it, at that restaurant in Athens it was probably closer to three in the morning. Holding up an empty bottle, Christopher waved it back and forth to get the attention of a waiter, slumped against a far wall. When the waiter came over with a fresh bottle, Christopher raised an empty glass to him and cried with a Byronic flourish, Eleftheria!which means freedom or liberty in Greek. In perfect English the waiter shot back, Weve already got that. The exhausted man had made his point and for once Christopher had no comeback. Hes silent now for good, and, agree with him or disagree, its a loss to us all.
一年级英语上册教案 Unit1My classroom 第三课时
沪教牛津版小学英语一年级上册 unit9 教案
一年级英语上册教案 Unit 1 第二课时
上海牛津版一年级英语Unit 9 Revision单元分析教案
上海牛津版一年级英语下册Unit9 Revision第一课时教案
一年级英语上册Unit8 Playtime 第三课时教案
沪教版小学英语一年级下册教案unit1课时4
沪教版小学英语一年级下册教案unit1课时3
苏教版牛津小学一年级英语教案Unit1 What`s your name
新起点小学一年级英语下册Unit11 Toys教案
牛津版一年级英语上册unit5 Fruit教案(1)
牛津版一年级英语上册unit5 Fruit教案(3)
牛津版一年级英语上册unit5 Fruit教案(2)
沪教牛津版小学英语一年级上册 Unit 8 教案
一年级英语下册Unit2 Small animals第三课时教案
牛津版小学一年级英语上册Unit1 Hello教案
一年级英语上册教案Unit1 My classroom第一课时
上海牛津版一年级英语Unit3 This is my mum教案
外研版一年级英语上册教案Unit1 Hello
上海牛津版一年级英语Unit2 Small animals第四课时教案
小学一年级英语下册Unit2 Small animals教案1
沪教版小学英语一年级下册教案unit1单元分析
苏教版小学一年级英语下册Unit5 On the road教案
上海牛津版一年级英语下册Unit3 Colours教案(1)
沪教牛津版一年级英语上册教案Unit1 My classroom第二课时
新课标小学英语第一册期末考试百词范围
上海版牛津一年级英语教案Unit8 Playtime(总五课时)
上海牛津版一年级英语Unit7 My family教案
沪教牛津版小学英语一年级上册 Unit 3 第二课时教案
上海牛津版一年级英语下册Unit9 Revision第二课时教案
| 不限 |
| 英语教案 |
| 英语课件 |
| 英语试题 |
| 不限 |
| 不限 |
| 上册 |
| 下册 |
| 不限 |