Accustomed though we are to speaking of the films made before 1927 assilent, the film has never been, in the full sense of the word, silent. From the very beginning, music was regarded as an indispensable accompaniment; when the Lumiere films were shown at the first public film exhibition in the United States in February 1896, they were accompanied by piano improvisations on popular tunes. At first, the music played bore no special relationship to the films; an accompaniment of any kind was sufficient. Within a very short time, however, the incongruity of playing lively music to a solemn film became apparent, and film pianists began to take some care in matching their pieces to the mood of the film.
As movie theaters grew in number and importance, a violinist, and perhaps a cellist, would be added to the pianist in certain cases, and in the larger movie theaters small orchestras were formed. For a number of years the selection of music for each film program rested entirely in the hands of the conductor or leader of the orchestra, and very often the principal qualification for holding such a position was not skill or taste so much as the ownership of a large personal library of musical pieces. Since the conductor seldom saw the films until the night before they were to be shown , the musical arrangement was normally improvised in the greatest hurry.
To help meet this difficulty, film distributing companies started the practice of publishing suggestions for musical accompaniments. In 1909, for example, the Edison Company began issuing with their films such indications of mood as pleasant, sad, lively. The suggestions became more explicit, and so emerged the musical cue sheet containing indications of mood, the titles of suitable pieces of music, and precise directions to show where one piece led into the next.
Certain films had music especially composed for them. The most famous of these early special scores was that composed and arranged for D.W Griffiths film Birth of a Nation, which was released in 1915.
All things to all people 八面玲珑
Ditch 和 abandon 之间的区别
Distinct 和 distinctive 之间的区别
Art and football 海底发现文物,莱斯特城足球俱乐部曼谷庆功
Dangerous heartbeat, Spike Lee and the Oscars 危险的心跳,斯派克·李抵制奥斯卡
Commend 和 recommend 的区别
Indian state introduces 'fat tax' 印度一省拟征收“脂肪税”
Darkness over Indonesia and the 'fifth Beatle' dies 印度尼西亚日全食,“第五位披头士”去世
Afghanistan, cancer and athletics boss 英美支持阿富汗政府军,癌症发病原因, 国际田联官员停职
EU after Brexit, human ancestor mystery 英脱欧公投后的欧盟,人类祖先之谜新发现
UN female, New flag and Apollo 11 倡议提名女秘书长,新西兰换国旗和阿波罗11号再创历史
Creativity、innovation 和 originality 的区别
Restrain 和 constrain 的区别
Delhi's pollution and South Africa's solar power 新德里环境污染,南非发展太阳能
Zuma in court and stressed horses 南非总统受审和马的精神压力
Artefacts in Sydney and dog gets medal 悉尼出土文物,英雄狗获奖章
Ten a penny 多得遍地都是
Zika virus and the A4 waist challenge 寨卡病毒,“A4腰挑战”
Antibiotics and escalator etiquette 美国人过多使用抗生素,伦敦地铁扶梯礼仪
Angelina Jolie to divorce, Karaoke star at 80 安吉丽娜·朱莉提出离婚申请,八十岁老人出唱片
Solar superpower, female commander and hospital demolished 太阳能超级大国,女海军司令官和著名医院化为废墟
Ebola outbreak and brain injuries 埃博拉疫情,脑部创伤
Simple, innocent, naive, pure 四个近义词的区别
Chelsea doctor and surfing in Australia 切尔西队医与球队和解,澳大利亚冲浪
Brexit and Hockney's art 英国脱欧公投后进展,大卫·霍克尼艺术展
The cost of protecting the environment, Juno space probe 保护环境付出的代价,“朱诺”木星探测器
Canada wildfire and NASA discovery 加拿大林火,美国国家航空航天局发现系外行星
Zika threat and back from space 寨卡病毒威胁美国,国际空间站宇航员返回地球
Drought in Ethiopia and MS treatment 埃塞俄比亚干旱,多发性硬化治疗手段新进展
Diabetes warning and Queen at 90 糖尿病激增引忧, 英国女王90岁生日