Accustomed though we are to speaking of the films made before 1927 as silent, the film has never been, in the full sense of the word, silent. From the very beginning, music was regarded as an indispensable accompaniment; when the Lumiere films were shown at the first public film exhibition in the United States in February 1896, they were accompanied by piano improvisations on popular tunes. At first, the music played bore no special relationship to the films; an accompaniment of any kind was sufficient. Within a very short time, however, the incongruity of playing lively music to a solemn film became apparent, and film pianists began to take some care in matching their pieces to the mood of the film. As movie theaters grew in number and importance, a violinist, and perhaps a cellist, would be added to the pianist in certain cases, and in the larger movie theaters small orchestras were formed. For a number of years the selection of music for each film program rested entirely in the hands of the conductor or leader of the orchestra, and very often the principal qualification for holding such a position was not skill or taste so much as the ownership of a large personal library of musical pieces. Since the conductor seldom saw the films until the night before they were to be shown , the musical arrangement was normally improvised in the greatest hurry. To help meet this difficulty, film distributing companies started the practice of publishing suggestions for musical accompaniments. In 1909, for example, the Edison Company began issuing with their films such indications of mood as pleasant, sad, lively. The suggestions became more explicit, and so emerged the musical cue sheet containing indications of mood, the titles of suitable pieces of music, and precise directions to show where one piece led into the next. Certain films had music especially composed for them. The most famous of these early special scores was that composed and arranged for D. W. Griffiths film Birth of a Nation, which was released in 1915.
英语考试听力常见替换词组总结(1)
四级听力名师课堂讲义-长对话技巧
四级听力名师课堂讲义-题型概述
英语四级考试听力过关必备短语(9)
英语四级考试听力复习技巧(八)
四级听力名师课堂讲义-说明文考点
英语四级考试听力过关必备短语(12)
考试听力备考资料常用美国习语1
四级听力名师课堂讲义-短文理解
英语考试听力易出错词汇辨析(4)
英语四级考试听力复习技巧(四)
四级听力名师课堂讲义-高频词组
英语考试听力易出错词汇辨析(6)
听力重点短语词汇分析机场
英语四级考试听力复习技巧(六)
英语考试听力常见替换词组总结(5)
英语考试听力易出错词汇辨析(3)
四级听力名师课堂讲义-短对话场景1
四级听力名师课堂讲义-短对话场景2
英语考试听力常考词汇必备(7)
英语考试听力常考词汇必备(12)
英语考试听力常考词汇必备(11)
四级听力名师课堂讲义-短对话场景4
英语考试听力易出错词汇辨析(1)
英语考试听力易出错词汇辨析(7)
英语考试听力易出错词汇辨析(9)
英语四级考试听力过关必备短语(6)
英语 考试听力常考词汇必备(13)
听力重点短语词汇分析求职
考试听力备考资料常用美国习语2
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