I was in the theater for many years and always went to work with terrible stage frightuntil I was in The King and I. While waiting offstage one night, I saw Yul Brynner, the shows star, pushing in a lunging position against a wall. It looked as though he wanted to knock it down. This helps me control my nervousness, he explained.
I tried it and, sure enough, freed myself from stage fright. Not only that, but pushing the wall seemed to give me a whole new kind of physical energy. Later I discovered that when you push against a wall you contract the muscles that lie just below where your ribs begin to splay . I call this area the vital triangle.
To understand how these muscles work, try this: sit in a straight-backed chair and lean slightly forward. Put your palms together in front of you, your elbows pointing out the sides, your fingertips pointing upward, and push so that you feel pressure in the heels of your palms and under your arms.
Say ssssssss, like a hiss. As youre exhaling the s, contract those muscles in the vital triangle as though you were rowing a boat, pulling the oars back and up. The vital triangle should tighten. Relax the muscles at the end of your exhalation, then inhale gently.
You can also adjust your attitude to prevent nervousness. What you say to yourself sends a message to your audience. If you tell yourself youre afraid, thats the message your listener receives. So select the attitude you want to communicate. Attitude adjusting is your mental suit of armor against nervousness. If you entertain only positive thoughts, you will be giving out these words: joy and ease, enthusiasm, sincerity and concern, and authority.
21. To overcome nervousness, one should_______.
A. adjust his attitude as well as make preparation for a gathering
B. ask the audience to give him confidence
C. try not to be knocked down by stage fright
D. wait offstage
22. The King and I should be_______.
A. a film B. a novel
C. a play D. a song
23. The writer cites examples in Paragraphs 4 and 5 to support his statement that_______.
A. you will have a positive effect by putting energy into your voice
B. youre 50 percent of the way towards overcoming nervousness once you are prepared for a situation
C. you will have a whole new kind of physical energy by pushing against a wall
D. if you master the techniques informed by the author your will never be nervous again
24. Yul Brynner pushed the wall in order to_______.
A. show the writer how to overcome nervousness
B. pull down the wall
C. get physical energy
D. overcome his own nervousness
25. If you have active thoughts, your audience will detect ______.
A. that you are full of fear and depression
B. that you are tightening your vital triangle
C. that you are joyful and easy-going
D. that you are relaxing your muscles
21. A 22. C 23. C 24. D 25. C
不用被动语态的情况
几种特殊情况的反意问句
陈述句中含seldom等否定词的反意疑问句
这个疑问句是用somebody还是anybody
反意疑问句的概念与结构
陈述部分有动词have的反意疑问句
陈述句是复合句的反意疑问句
口语中使用否定疑问句的五种场合
什么时候使用否定疑问句
学习特殊疑问句的三个要点
陈述部分有have时如何构成反意问句
选择疑问句学习指导
如何分析这个疑问句
主动形式表示被动意义
英语反意疑问句的三种基本结构
当陈述部分有情态动词时如何变反意问句
学习一般疑问句的五个要点
含情态动词的反意疑问句
特殊疑问句学习指导
陈述部分为I think that...如何构成反意疑问句
反意疑问句的主语问题
当陈述句中含must的时如何变反意疑句
反意疑问句的基本结构和特点
是考查祈使句还是非谓语动词
祈使句与感叹句
祈使句如何变为否定句
need/want/require/worth
反意疑问句的常见考点
被动形式表示主动意义
祈使句如何变为反意疑问句
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