Most people would probably agree that many individual consumer adverts function on the level of the daydream. By picturing quite unusually happy and glamorous people whose success in either career of sexual terms, or both, is obvious, adverts construct an imaginary world in which the reader is able to make come true those desires which remain unsatisfied in his or her everyday life.
An advert for a science fiction magazine is unusually explicit about this. In addition to the primary use value of the magazine, the reader is promised access to a wonderful universe through the productaccess to other mysterious and tantalizing worlds and epochs, the realms of the imagination. When studying advertising, it is therefore unreasonable to expect readers to decipher adverts as factual statements about reality. Most adverts are just too meagre in informative content and too rich in emotional suggestive detail to be read literally. If people read then literally, they would soon be forced to realize their error when the glamorous promises held out by the adverts didnt materialize.
The average consumer is not surprised that his purchase of the commodity does not redeem the promise of the advertisement, for this is what he is used to in life: the individuals pursuit of happiness and success is usually in vain. But the fantasy is his to keep; in his dream world he enjoys a future endlessly deferred.
The Estivalia advert is quite explicit about the fact that advertising shows us not reality, but a fantasy; it does so by openly admitting the daydream but in a way that insists on the existence of a bridge linking daydream to realityEstivalia, which is for daydream believers, those who refuse to give up trying to make the hazy ideal of natural beauty and harmony come true.
If adverts function on the daydream level, it clearly becomes in adequate to merely condemn advertising for channeling readers attention and desires towards an unrealistic, paradisiacal nowhere land. Advertising certainly does that, but in order for people to find it relevant, the utopia visualized in adverts must be linked to our surrounding reality by a casual connection.
1.The people in adverts are in most coves ___.
A.happy and glamorous
B.successful
C.obvious
D.both A and B
2.When the glamorous promises held out by the adverts didnt materialize the average consumer is not surprised, because ___.
A.The consumer is used to the fact that the individuals pursuit of happiness and success is usually in vain.
B.Adverts are factual statements about reality.
C.The consumer can come into the realms of imagination pictured by adverts.
D.Adverts can make the consumers dreams come true.
3.Whats the bridge linking daydream to reality in adverts?
A.The product.
B.Estivalia.
C.Pictures.
D.Happy and glamorous people.
4.Why does the consumer accept the daydream in adverts?
A.Because the consumer enjoys a future endlessly deferred.
B.Because the consumer gives up trying to make his dream come true.
C.Because the utopia is visualized in adverts.
D.Because his purchased of the commodity does not redeem the promise of the advertisement.
5.What is this passage mainly concerned with?
A.Many adverts can be read literally.
B.Everyone has a daydream.
C.Many adverts function on the level of the daydream.
D.Many adverts are deceitful because they can not make good their promises.
参考答案:
DABAC
英语短剧:《希尔博的骗局》
2014三年级下册英语暑假作业题
英语故事:蜘蛛和蛇
英美文化:没有他们就没有英语
英语故事:爱惜羽毛的孔雀
英语故事:坎井之蛙
教你英语四六级听力长对话如何边听边记
英语口语:签租房合同
八人英语短剧:《重新开始》Turn over a New Leaf
搞笑英语短剧:新《守株待兔》
十二个月份英语单词的来历
英语四年级下册暑假作业答案
七年级下册英语期末测试卷及答案
英语故事:鹓鶵与鸱
A Boy Who Lost 英语作文
英语话剧:三只小猪
英语口语:看电影
2014年八年级英语下册暑假作业答案
英语搞笑小话剧《皮特与狼》Peter and the Wolf
英语短剧:《龟兔赛跑》
What would you like教案
英语美文:Youth-青春
英语短剧:《罗密欧与朱丽叶》
四人英语话剧:A Sunny Day Party
3人简短英语话剧:寻找布莱克先生
英语短剧:白雪公主和七个小矮人
英语短剧:《海的女儿》DAUGHTER OF THE SEA
英语短剧:大话西游
英语搞笑短剧:Don‘t Touch Me
关于理想的英语名言
| 不限 |
| 英语教案 |
| 英语课件 |
| 英语试题 |
| 不限 |
| 不限 |
| 上册 |
| 下册 |
| 不限 |