Crying freedom Dec 17th 2011, 19:21 by E.F. CROSSING an Athens street by foot on a warm spring afternoon in1985, I checked a taxi waiting at the light to make sure it was not going tojump the red. In the back seat I spied the unmistakeable figure of ChristopherHitchens, larger than when Id last seen him, larger than anyone in their mid-30s ought to be,made larger still by an unnecessary overcoat thrown over the shoulders in themanner of a ballet impresario from an earlier time. He saw me, called my name,threw open the door and stepped into the street. The light was now green andtraffic was hooting. Heedless as ever to context but wholly in role, he let goan uncounted shower of drachma notes into the grateful drivers hand andgreeted me theatrically with a kiss on both cheeks. Like me, he was in Athensto write about the Greek elections. The previous day, Andreas Papandreouthe fatherof the recently replaced prime ministerhad handily won asecond parliamentary term as leader of his countrys SocialDemocrats. Though not like me, because Christopher was not like otherjournalists. I didnt see you at the Press centre last night, I said. No, he replied,I was at the Papandreous. How the next hours unfolded, I dont recall. I dovividly remember that around two in the morning, Christopher was entertaining asmall group of us at a restaurantquoting, parrying, recounting, provoking. His speed of memory wasdaunting. He always seemed able to cite what an opponent in argument had saidor written years earlier, deploying it quickly and wittily at the surest momentto expose them as fools, ditherers or hypocrites. That essentially 18th-centuryskill made him as lethal on television as he was on the page. He wrote the wayhe spoke, in boutades and in paragraphs, often with a blood-level of alcoholthat would leave most of us speechless. He was catholic in his love andknowledge of the written word, but on the whole stayed off movies, theatre,visual arts and music. Had he a trace of Puritan suspicion that such arts wereelite, effete and not morally serious? I suspect it was more that each of thosearts has its standards of performance and he was a performer in a competingmediumhis own words. You had to hear him in real time, and I rate myselflucky that on a few occasions I did hear him at tableusually lateon when everyone else had stopped talking, not because they were silenced orbested but because there and then it was simply more satisfying to listen tohim. I dont know, and who does, if his copious writing will stand up in theway that the work of his politico-literary hero George Orwell has stood up.Those who found little to admire or agree with in Christopher, especially afterhe backed the Iraq War in 2003, will laugh at the comparison. Even those whoenjoyed his overflowing talents as journalist and talker may find it a stretch.Differences of water level and achievement stand out. Yet there are likenesses,too. Neither could tolerate camps, least of all their own: like Orwell,Christopher kept his harshest barbs for the left. Neither were doctrinal and,though Christopher took on big topicsnotably religiousbelief, of which he claimed to have nonehis small-motorskills with tricky ideas were no finer than Orwells. Neitherwere really interested in policy or government, though from sheer forensicbravado Christopher would happily take on the best-briefed wonk. Both wrotefrom an essentially emotional perception about the moral condition of theworld. Orwell once praised Charles Dickens for the vagueness of hisradicalism. He did not mean evasiveness or lack of clarity, but a deepconviction that something was wrong with society and that the only constructivesuggestion was: Behave decently. Christophers constructive suggestions were never so clear, but his negativedrive was unmistakeable and gave him a consistency his detractors wrongly saidhe lacked: locate power, distrust it and take it down a peg, even if you cant knock itoff its perch. Odd as it sounds, somewhere in Christopher was a backwoods Toryanarchist. Status and power fascinated him as targets, not as ways todiscrimate among people. He was open to everyone and called all comers by firstnamethat memory again!even if they were not near friends. My calling him Christopher repays thecompliment. Hitchens would sound both too distant and too knowing. Now I think about it, at that restaurant in Athens it was probablycloser to three in the morning. Holding up an empty bottle, Christopher wavedit back and forth to get the attention of a waiter, slumped against a far wall.When the waiter came over with a fresh bottle, Christopher raised an emptyglass to him and cried with a Byronic flourish, Eleftheria!which meansfreedom or liberty in Greek. In perfect English the waiter shot back, Weve alreadygot that. The exhausted man had made his point and for once Christopher hadno comeback. Hes silent now for good, and, agree with him or disagree, its a loss tous all.
雅思口语part 1自我介绍模板集锦(上)
雅思口语part 1话题:Sports
雅思口语part 1话题:Photograph
雅思口语发音是关键流利很重要
雅思口语part 2话题:A Book You Would Like to Read Again
雅思口语part 2话题:A Foreign Film
雅思口语part 1话题:Clothes
雅思口语part 1话题:Food
雅思口语素材:名人名言-乔伊特
雅思口语part 1话题:Internet
雅思口语必备的100个经典句子
雅思口语完美发音的10个诀窍
未听清雅思口语考官问题时的回答方式
雅思口语part 2话题:A Childhood Toy
雅思口语part 1话题:Painting
雅思口语part 1话题:Concerts
烤鸭必备:雅思口语话题大全
雅思口语part 1话题:Names
雅思口语part 1话题:Studies
十二星座的雅思口语考试策略(下)
雅思口语part 1话题:Hometown
雅思口语part 1话题:Flowers
雅思口语part 1话题:Films
雅思口语part 1话题:Weather & Season
雅思口语part 1话题:Science
详细分析雅思口语的四个阶段
十二星座的雅思口语考试策略(上)
雅思口语:用英语打电话的五种场景
雅思口语part 1话题:Toys
雅思口语part 1话题:Holidays
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