SAMPLE 9
[文学类]
Roger Rosenblatts book Black Fiction, in attempting to apply literary rather than sociopolitical criteria to its subject, successfully alters the approach taken by most previous studies. As Rosenblatt notes, criticism of Black writing has often served as a pretext for expounding on Black history. Addison Gayles recent work, for example, judges the value of Black fiction by overtly political standards, rating each work according to the notions of Black identity which it propounds.
Although fiction assuredly springs from political circumstances, its authors react to those circumstances in ways other than ideological, and talking about novels and stories primarily as instruments of ideology circumvents much of the fictional enterprise. Rosenblatts literary analysis discloses affinities and connections among works of Black fiction which solely political studies have overlooked or ignored.
Writing acceptable criticism of Black fiction, however, presupposes giving satisfactory answers to a number of questions. First of all, is there a sufficient reason, other than the facial identity of the authors, to group together works by Black authors? Second, how does Black fiction make itself distinct from other modern fiction with which it is largely contemporaneous? Rosenblatt shows that Black fiction constitutes a distinct body of writing that has an identifiable, coherent literary tradition. Looking at novels written by Black over the last eighty years, he discovers recurring concerns and designs independent of chronology. These structures are thematic, and they spring, not surprisingly, from the central fact that the Black characters in these novels exist in a predominantly white culture, whether they try to conform to that culture or rebel against it.
Black Fiction does leave some aesthetic questions open. Rosenblatts thematic analysis permits considerable objectivity; he even explicitly states that it is not his intention to judge the merit of the various works yet his reluctance seems misplaced, especially since an attempt to appraise might have led to interesting results. For instance, some of the novels appear to be structurally diffuse. Is this a defect, or are the authors working out of, or trying to forge, a different kind of aesthetic? In addition, the style of some Black novels, like Jean Toomers Cane, verges on expressionism or surrealism; does this technique provide a counterpoint to the prevalent theme that portrays the fate against which Black heroes are pitted, a theme usually conveyed by more naturalistic modes of expression?
In spite of such omissions, what Rosenblatt does include in his discussion makes for an astute and worthwhile study. Black Fiction surveys a wide variety of novels, bringing to our attention in the process some fascinating and little-known works like James Weldon Johnsons Autobiography of an Ex-Colored Man. Its argument is tightly constructed, and its forthright, lucid style exemplifies levelheaded and penetrating criticism.
1. The author of the text is primarily concerned with
[A] evaluating the soundness of a work of criticism.
[B] comparing various critical approaches to a subject.
[C] discussing the limitations of a particular kind of criticism.
[D] summarizing the major points made in a work of criticism.
2. The author of the text believes that Black Fiction would have been improved had Rosenblatt
[A] evaluated more carefully the ideological and historical aspects of Black fiction.
[B] attempted to be more objective in his approach to novels and stories by Black authors.
[C] explored in greater detail the recurrent thematic concerns of Black fiction throughout its history.
[D] assessed the relative literary merit of the novels he analyzes thematically.
3. The authors discussion of Black Fiction can be best described as
[A] pedantic and contentious.
[B] critical but admiring.
[C] ironic and deprecating.
[D] argumentative but unfocused.
4. The author of the text employs all of the following in the discussion of Rosenblatts book EXCEPT:
[A] rhetorical questions.
[B] specific examples.
[C] comparison and contrast.
[D] definition of terms.
5. The author of the text refers to James Weldon Johnsons Autobiography of an ExColored Man most probably in order to
[A] point out affinities between Rosenblatts method of thematic analysis and earlier criticism.
[B] clarify the point about expressionistic style made earlier in the passage.
[C] qualify the assessment of Rosenblatts book made in the first paragraph of the passage.
[D] give a specific example of one of the accomplishments of Rosenblatts work.
主谓一致的概念
延续动词与瞬间动词的区别
否定词开头的部分倒装句的情况
动词的语态
现在进行时的应用
be to和be going to的区别
反意疑问句的结构
用助动词进行强调句类型
感叹句的结构
部分倒装句的应用
used to / be used to的区别
用于现在完成时的句型
强调句的结构
过去进行时的应用
过去完成时的应用
一般现在时代替完成时
一般现在时代替进行时
用一般过去时代替完成时的应用
将来完成时的应用
表示“据说”“相信”的词组
过去式和现在完成时的区别
现在进行时代替将来时
句子的种类
as, though 引导的倒装句
全部倒装句的应用
其他部分倒装的情况
被动形式表示主动意义
时态与时间状语
不用被动语态的情况
be going to / will的区别
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