05 The Beginning of Drama
There are many theories about the beginning of drama in ancient Greece. The on most widely accepted today is based on the assumption that drama evolved from ritual. The argument for this view goes as follows. In the beginning, human beings viewed the natural forces of the world-even the seasonal changes-as unpredictable, and they sought through various means to control these unknown and feared powers. Those measures which appeared to bring the desired results were then retained and repeated until they hardened into fixed rituals. Eventually stories arose which explained or veiled the mysteries of the rites. As time passed some rituals were abandoned, but the stories, later called myths, persisted and provided material for art and drama.
Those who believe that drama evolved out of ritual also argue that those rites contained the seed of theater because music, dance, masks, and costumes were almost always used, Furthermore, a suitable site had to be provided for performances and when the entire community did not participate, a clear division was usually made between the acting area and the auditorium. In addition, there were performers, and, since considerable importance was attached to avoiding mistakes in the enactment of rites, religious leaders usually assumed that task. Wearing masks and costumes, they often impersonated other people, animals, or supernatural beings, and mimed the desired effect-success in hunt or battle, the coming rain, the revival of the Sun-as an actor might. Eventually such dramatic representations were separated from religious activities.
Another theory traces the theaters origin from the human interest in storytelling. According to this vies tales are gradually elaborated, at first through the use of impersonation, action, and dialogue by a narrator and then through the assumption of each of the roles by a different person. A closely related theory traces theater to those dances that are primarily rhythmical and gymnastic or that are imitations of animal movements and sounds.
吃透雅思听力test 你需要做什么?
雅思听力练习时间的安排建议
雅思目标6.5 听力需拿到7分左右
雅思听力的听写练习材料首推剑桥雅思
雅思听力机经的使用重在熟悉词汇
雅思听力考点讲解:大数、分数、小数
提高雅思听力最好的训练方法是听抄
细数雅思听力与国内听力考试的区别
雅思听力需打好词汇和语法的基础
三步搞定雅思听力:预览、预测、听录音
提高雅思听力口语的好方法:朗读、跟读
雅思听力考试不可轻视同义替换陷阱
雅思听力地图题的规律分析
雅思听力阅读通用技巧:发现段落主题
做雅思听力地图题需要把握的三点
雅思听力冲刺复习的三个要点
雅思听力Section 1的解题技巧
听写练习是短期提高雅思听力的好方法
雅思听力审题的细节问题指导
雅思听力字母数字题的应对方法
雅思听力核心题目的答题方法
雅思听力备考的13个小技巧
应对雅思听力连字符考点的方法
雅思听力大小写加s的情况分析
雅思听力单选题不同题型的解题技巧
雅思听力提分攻略:注意四大问题
雅思听力考试难点分析
雅思听力场景的出题规律总结
如何解决雅思听力考试时紧张的问题
全面分析雅思听力的环境保护场景
| 不限 |
| 英语教案 |
| 英语课件 |
| 英语试题 |
| 不限 |
| 不限 |
| 上册 |
| 下册 |
| 不限 |