有关艺术品的真实性话题的新GRE作文范文如下:
Imaginative works such as novels, plays, films, fairy tales, and legends present a more accurate and meaningful picture of human experience than do factual accounts. Because the creators of fiction shape and focus reality rather than report on it literally, their creations have a more lasting significance.
Do imaginative works hold more lasting significance than factual accounts, for the reasons the speaker cites? To some extent the speaker overstates fictions comparative significance. On balance, however, I tend to agree with the speaker. By recounting various dimensions of the human experience, a fictional work can add meaning to and appreciation of the times in which the work is set. Even where a fictional work amounts to pure fantasy, with no historical context, it can still hold more lasting significance than a factual account. Examples from literature and film serve to illustrate these points.
I concede that most fictional works rely on historical settings for plot, thematic, and character development. By informing us about underlying political, economic, and social conditions, factual accounts provide a frame of reference needed to understand and appredate imaginative works. Fact is the basis for fiction, and fiction is no substitute for fact. I would also concede that factual accounts are more accurate than fictional ones--insofar as they are more objective. But this does not mean that factual accounts provide a more meaningful picture of the human experience. To the contrary, only imaginative works can bring an historical period alive by way of creative tools such as imagery and point of view. And, only imaginative works can provide meaning to historical events--through the use of devices such as symbolism and metaphor.
Several examples from literature serve to illustrate this point. Twains novels afford us a sense of how 19th-Century Missouri would have appeared through the eyes of 10-year old boys. Melvilles Billy Budd gives the reader certain insights into what travel on the high seas might have been like in earlier centuries, through the eyes of a crewman. And the epic poems Beowulf and Sir Gawain and the Green Knight provide glimpses of the relationships between warriors and their kings in medieval times. Bare facts about these historical eras are easily forgettable, whereas creative stories and portrayals such as the ones mentioned above can be quite memorable indeed. In other words, what truly lasts are our impressions of what life must have been like in certain places, at certain times, and under certain conditions. Only imaginative works can provide such lasting impressions.
Examples of important films underscore the point that creative accounts of the human experience hold more lasting significance than bare factual accounts. Consider four of our most memorable and influential films: Citizen Kane, Schindkr5 LaSt, The Wizard of O~ and Star Wars. Did Welles fictional portrayal of publisher William Randolph Hearst or Spielbergs fictional portrayal of a Jewish sympathizer during the holocaust provide a more meaningful picture of human experience than a history textbook? Did these accounts help give shape and focus to reality more so than newsreels alone could? If so, will these works hold more lasting significance than bare factual accounts of the same persons and events? I think anyone who has seen these films would answer all three questions affirmatively. Or consider The Wizard of O~ and Star Wars. Both films, and the novels from which they were adapted, are pure fantasy. Yet both teem with symbolism and metaphor relating to lifes journey, the human spirit, and our hopes, dreams and ambitions--in short, the human experience. Therein lies the reason for their lasting significance.
In sum, without prior factual accounts fictional works set in historical periods lose much of their meaning. Yet only through the exercise of artistic license can we convey human experience in all its dimensions, and thereby fully understand and appreciate life in other times and places. And it is human experience, and not bare facts and figures, that endures in our minds and souls.
定语从句
英语时间状语从句的用法及有关说明
so…that与such…that
使用关系副词的三点注意
英语让步从句的用法及有关说明
英语结果状语从句的用法及有关说明
谈谈英语状语从句的省略问题
关系词代词和关系副词的意义与用法
比较状语从句与方式状语从句的用法归纳
关系代词引导的定语从句
英语语法详解:目的状语从句(三个方面)
关系代词that 的用法
如何快速区别非限制性定语从句与并列句
介词+关系词
判断关系代词与关系副词
时间或地点名词后一定要用where, when来引导定语从句吗
哪些从句可用一般现在时表示将来
that还是when
It’s time后接定语从句的几点用法说明
可用于引导状语从句的“六类名词”
英语八类状语从句的用法归纳
修饰the way的定语从句
英语从属连词用法分类详解
英语目的状语从句的用法及有关说明
as, which 非限定性定语从句
关系副词引导的定语从句
what/whatever;that/what; who/whoever
用作从属连词的六类名词结构
一道非常容易出错的定语从句考题
英语语法详解:原因状语从句(四大点)
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