There are many theories about the beginning of drama in ancient Greece. The on most widely accepted today is based on the assumption that drama evolved from ritual. The argument for this view goes as follows. In the beginning, human beings viewed the natural forces of the world-even the seasonal changes-as unpredictable, and they sought through various means to control these unknown and feared powers. Those measures which appeared to bring the desired results were then retained and repeated until they hardened into fixed rituals. Eventually stories arose which explained or veiled the mysteries of the rites. As time passed some rituals were abandoned, but the stories, later called myths, persisted and provided material for art and drama.
Those who believe that drama evolved out of ritual also argue that those rites contained the seed of theater because music, dance, masks, and costumes were almost always used, furthermore, a suitable site had to be provided for performances and when the entire community did not participate, a clear division was usually made between the acting area and the auditorium. In addition, there were performers, and, since considerable importance was attached to avoiding mistakes in the enactment of rites, religious leaders usually assumed that task. Wearing masks and costumes, they often impersonated other people, animals, or supernatural beings, and mimed the desired effect-success in hunt or battle, the coming rain, the revival of the Sun-as an actor might. Eventually such dramatic representations were separated from religious activities.
Another theory traces the theaters origin from the human interest in storytelling. According to this vies tales are gradually elaborated, at first through the use of impersonation, action, and dialogue by a narrator and then through the assumption of each of the roles by a different person. A closely related theory traces theater to those dances that are primarily rhythmical and gymnastic or that are imitations of animal movements and sounds.
雅思听力中的三种信号词分析
详解雅思听力考试中的特殊词汇
13条实用的雅思听力答题规律
雅思听力观点题的答题方法
雅思听力反应速度慢需要对症下药
雅思听力评分标准的四大特点
雅思听力图形标签题的三种分类
雅思听力Section4的应试技巧及常见话题介绍
雅思听力中的高频地名总结
雅思听力记笔记时要同时做到的两件事
帮助雅思听力审题的两类关键词
雅思听力的三类场景分析
浅谈雅思听力中的衔接手段
雅思听力考试的5个特点及学习方法
雅思听力旅游场景的出题思路和考点归纳
雅思听力Section 1的常见场景总结
雅思听力考试需要遵循的原则与运用技巧
雅思听力背景知识补充:圣诞树的来历
雅思听力考试时如何调整紧张心情
雅思听力填空题和选择题的猜题技巧
初学者如何准备雅思听力考试?
雅思听力心得分享:一次只看一个session
雅思听力动物场景中的冷门知识点
雅思听力提高需要技巧和实力的结合
详解雅思听力中的对话与独白
雅思听力的提高需要长期的努力
拿下雅思听力考试高分的6个策略
雅思听力:影子练习法助你拉长瞬间记忆
适用于雅思听力备考的立体训练法
雅思听力冲刺阶段的高级备考技巧
| 不限 |
| 英语教案 |
| 英语课件 |
| 英语试题 |
| 不限 |
| 不限 |
| 上册 |
| 下册 |
| 不限 |