Accustomed though we are to speaking of the films made before 1927 assilent, the film has never been, in the full sense of the word, silent. From the very beginning, music was regarded as an indispensable accompaniment; when the Lumiere films were shown at the first public film exhibition in the United States in February 1896, they were accompanied by piano improvisations on popular tunes. At first, the music played bore no special relationship to the films; an accompaniment of any kind was sufficient. Within a very short time, however, the incongruity of playing lively music to a solemn film became apparent, and film pianists began to take some care in matching their pieces to the mood of the film.
As movie theaters grew in number and importance, a violinist, and perhaps a cellist, would be added to the pianist in certain cases, and in the larger movie theaters small orchestras were formed. For a number of years the selection of music for each film program rested entirely in the hands of the conductor or leader of the orchestra, and very often the principal qualification for holding such a position was not skill or taste so much as the ownership of a large personal library of musical pieces. Since the conductor seldom saw the films until the night before they were to be shown , the musical arrangement was normally improvised in the greatest hurry.
To help meet this difficulty, film distributing companies started the practice of publishing suggestions for musical accompaniments. In 1909, for example, the Edison Company began issuing with their films such indications of mood as pleasant, sad, lively. The suggestions became more explicit, and so emerged the musical cue sheet containing indications of mood, the titles of suitable pieces of music, and precise directions to show where one piece led into the next.
Certain films had music especially composed for them. The most famous of these early special scores was that composed and arranged for D.W Griffiths film Birth of a Nation, which was released in 1915.
2017年高三高考复习必练教程:名词2
2017年高三高考复习必练教程:句型2
2017届高考英语总复习闯关密训卷专题Unit4《Wildlife protection》必修2
2017年高三高考复习必练教程:句型8
湖南省株洲四中高三英语牛津译林版《定语从句》专项练习
2017年高三高考复习必练教程:名词4
2017年高三高考复习必练教程:句型7
2017年高三高考复习必练教程:动词及动词短语(16)
2017届高考英语总复习闯关密训卷 Unit1《Women of achievement》必修4
湖南省株洲四中高三英语牛津译林版《非谓语动词》专项练习
2017年高三高考复习必练教程:动词及动词短语(10)
2017年高三高考复习必练教程:句型4
湖南省株洲四中高三英语牛津译林版《动词短语》专项练习
2017年高三高考复习必练教程:形容词和副词4
2017届高考英语总复习闯关密训卷 Unit3《The Million Pound Bank Note》必修3
湖南省株洲四中高三英语牛津译林版《V-ing》专项练习
2017年高三高考复习必练教程:介词1
2017年高三高考复习必练教程:形容词和副词2
2017年高三高考复习必练教程:介词4
2017届高考英语总复习闯关密训卷 Unit5《Canada—“The True North”》必修3
2017届高考英语总复习闯关密训卷 Unit4《Astronomy: the science of the stars》必修3
2017年高三高考复习必练教程:句型9
湖南省株洲四中高三英语牛津依林版《when》专项练习
2017年高三高考复习必练教程:名词5
2017年高三高考复习必练教程:句型1
湖南省株洲四中高三英语牛津依林版《副词》专项练习
2017年高三高考复习必练教程:介词2
2017年高三高考复习必练教程:句型6
2017年高三高考复习必练教程:动词及动词短语(17)
2017届高考英语总复习闯关密训卷专题Unit5《Music》必修2
| 不限 |
| 英语教案 |
| 英语课件 |
| 英语试题 |
| 不限 |
| 不限 |
| 上册 |
| 下册 |
| 不限 |