央视痛批抗日剧

　　According to statistics, the 150 crew in 2012 Hengdian film and TV City reception, there are 48 crew to the theme of the Anti-Japanese War, about 30%. Thus, flooding, has become a major disaster screen. We have reason to fear that a "to entertain imaginary or groundless fears": so far, shock "entertainment" Anti-Japanese oratorio disaster caused by flooding water, full screen, and, if things go on like this, will bring the negative effect of what we worry? CCTV in the program, it is people's worries. We know that the movie it is not just for entertainment, it can output value. When teenagers see these so-called historical plays, his view of history will be distorted to what extent?

　　据统计，2012年横店影视城接待的150个剧组中，有48个剧组涉及抗战题材，约占30%。由此可见，抗日剧的泛滥已经成为荧屏的一大灾难。我们有理由担心一个“杞人忧天的问题：如此离谱、雷人的“娱乐化抗日神剧泛滥成灾，充斥荧屏，长此以往，耳濡目染，会给我们带来什么样的负面效果?央视在节目中的担忧，正是国人的担忧。我们知道影视剧它不仅仅是用来娱乐的，它可以输出价值观。当青少年看到这些所谓的历史剧的时候，他的历史观又会被扭曲到什么程度?

　　Although no one specified anti-Japanese literary works only with realism to tell, but after all the pain of cutting one's body history is not far. Our victory is in exchange for the great sacrifice, this is the basic reason we know that history. Nowadays, the Anti-Japanese drama quietly wrote propaganda and education burden, become pure entertainment products, since it is logical, but this liberation is too radical, even the public rational basic also disregard, flesh and the spirit has been empty and game in God in the play, a tiger into the cover of the violent stimulus.

　　尽管没有谁规定抗日题材文艺作品只能用现实主义手法来讲述，但毕竟那段切肤之痛的历史相去不远。我们的胜利是用巨大的牺牲换来的，这是我们认识那段历史的基本理性。现如今，抗日题材电视剧悄然写下了宣传教育的包袱，变为纯粹的娱乐品，自是有它内在的逻辑，但这种自我解放也确实够彻底的，连基本的公共理性也置之不顾，血肉之躯铸就的抗战精神在神剧中已被空洞化和游戏化，变做掩护暴力刺激的一张虎皮。