Accustomed though we are to speaking of the films made before 1927 assilent, the film has never been, in the full sense of the word, silent. From the very beginning, music was regarded as an indispensable accompaniment; when the Lumiere films were shown at the first public film exhibition in the United States in February 1896, they were accompanied by piano improvisations on popular tunes. At first, the music played bore no special relationship to the films; an accompaniment of any kind was sufficient. Within a very short time, however, the incongruity of playing lively music to a solemn film became apparent, and film pianists began to take some care in matching their pieces to the mood of the film.
As movie theaters grew in number and importance, a violinist, and perhaps a cellist, would be added to the pianist in certain cases, and in the larger movie theaters small orchestras were formed. For a number of years the selection of music for each film program rested entirely in the hands of the conductor or leader of the orchestra, and very often the principal qualification for holding such a position was not skill or taste so much as the ownership of a large personal library of musical pieces. Since the conductor seldom saw the films until the night before they were to be shown , the musical arrangement was normally improvised in the greatest hurry.
To help meet this difficulty, film distributing companies started the practice of publishing suggestions for musical accompaniments. In 1909, for example, the Edison Company began issuing with their films such indications of mood as pleasant, sad, lively. The suggestions became more explicit, and so emerged the musical cue sheet containing indications of mood, the titles of suitable pieces of music, and precise directions to show where one piece led into the next.
Certain films had music especially composed for them. The most famous of these early special scores was that composed and arranged for D.W Griffiths film Birth of a Nation, which was released in 1915.
新概念英语第一册英音版 007&008-Are You a Teacher
新概念英语第一册英音版 013&014-A New Dress
新概念英语第四册美音版 22-Knowledge and Progress
新概念英语第四册美音版 41-Training Elephants
新概念英语第一册英音版 001&002-Excuse Me
新概念英语第四册美音版 13-The Search for Oil
新概念英语第一册英音版 011&012-Is This Your Shirt
新概念英语第四册美音版 47-The Great Escape
新概念英语第四册美音版 15-Secrecy in Industry
新概念英语第四册美音版 26-The Past Life of the Earth
新概念英语第四册美音版 17-A Man-made Disease
新概念英语第四册美音版 28-Patients and Doctors
新概念英语第四册美音版 24-Beauty
新概念英语第四册美音版 35-Space Odyssey
新概念英语第四册美音版 27-The vasa
新概念英语第四册美音版 20-Snake Poison
新概念英语第四册美音版 34-Adolescence
新概念英语第一册英音版 009&010-How Are You Today
新概念英语第四册美音版 36-The Cost of Government
新概念英语第四册美音版 10-Silicon Valley
新概念英语第四册美音版 25-Non-Auditory Effects of Noise
新概念英语第四册美音版 38-Water and the Traveller
新概念英语第四册美音版 29-The Hovercraft
新概念英语第四册美音版 32-Galileo Reborn
新概念英语第一册英音版 005&006-Nice to Meet You.
新概念英语第四册美音版 14-The Butterfly Effect
新概念英语第四册美音版 08-Trading Standards
新概念英语第四册美音版 40-Waves
新概念英语第四册美音版 39-What Every Writer Wants
新概念英语第四册美音版 18-Porpoises
| 不限 |
| 英语教案 |
| 英语课件 |
| 英语试题 |
| 不限 |
| 不限 |
| 上册 |
| 下册 |
| 不限 |