Accustomed though we are to speaking of the films made before 1927 assilent, the film has never been, in the full sense of the word, silent. From the very beginning, music was regarded as an indispensable accompaniment; when the Lumiere films were shown at the first public film exhibition in the United States in February 1896, they were accompanied by piano improvisations on popular tunes. At first, the music played bore no special relationship to the films; an accompaniment of any kind was sufficient. Within a very short time, however, the incongruity of playing lively music to a solemn film became apparent, and film pianists began to take some care in matching their pieces to the mood of the film.
As movie theaters grew in number and importance, a violinist, and perhaps a cellist, would be added to the pianist in certain cases, and in the larger movie theaters small orchestras were formed. For a number of years the selection of music for each film program rested entirely in the hands of the conductor or leader of the orchestra, and very often the principal qualification for holding such a position was not skill or taste so much as the ownership of a large personal library of musical pieces. Since the conductor seldom saw the films until the night before they were to be shown , the musical arrangement was normally improvised in the greatest hurry.
To help meet this difficulty, film distributing companies started the practice of publishing suggestions for musical accompaniments. In 1909, for example, the Edison Company began issuing with their films such indications of mood as pleasant, sad, lively. The suggestions became more explicit, and so emerged the musical cue sheet containing indications of mood, the titles of suitable pieces of music, and precise directions to show where one piece led into the next.
Certain films had music especially composed for them. The most famous of these early special scores was that composed and arranged for D.W Griffiths film Birth of a Nation, which was released in 1915.
区分happen take place
区别say tell speak talk
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少儿学科科目英语单词歌
新概念英语教材详解:第一册 Lesson103-104
区别bring take fetch
小学一年级英语作文:My favorite fruit
Million dollar baby《百万美元宝贝》里的台词解析之一
区别sometime some time
电影Goal!《一球成名》里的台词解析之三
小学一年级英语作文:A day in my life
英语故事A Handful of Clay 一撮黏土
英语民间故事Tiny Finger
艾薇儿语录双语版
区分in front of in the front of
英语民间故事Dogedog
英语民间故事How the Rhinoceros got its horn
英语民间故事The Four White Swans
小学一年级英语作文:Last Sunday
电影Goal!《一球成名》里的台词解析之二
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新概念英语教材详解:第一册 Lesson105-106
新概念英语教材详解:第一册 Lesson107-108
英语故事一匹懒马Alazyhorse
英语民间故事wind song
区别agree with agree to
英语民间故事Tiger Son
新概念英语教材详解:第一册 Lesson109-110
区别join take part in join in
小熊维尼经典语录
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