Accustomed though we are to speaking of the films made before 1927 assilent, the film has never been, in the full sense of the word, silent. From the very beginning, music was regarded as an indispensable accompaniment; when the Lumiere films were shown at the first public film exhibition in the United States in February 1896, they were accompanied by piano improvisations on popular tunes. At first, the music played bore no special relationship to the films; an accompaniment of any kind was sufficient. Within a very short time, however, the incongruity of playing lively music to a solemn film became apparent, and film pianists began to take some care in matching their pieces to the mood of the film.
As movie theaters grew in number and importance, a violinist, and perhaps a cellist, would be added to the pianist in certain cases, and in the larger movie theaters small orchestras were formed. For a number of years the selection of music for each film program rested entirely in the hands of the conductor or leader of the orchestra, and very often the principal qualification for holding such a position was not skill or taste so much as the ownership of a large personal library of musical pieces. Since the conductor seldom saw the films until the night before they were to be shown , the musical arrangement was normally improvised in the greatest hurry.
To help meet this difficulty, film distributing companies started the practice of publishing suggestions for musical accompaniments. In 1909, for example, the Edison Company began issuing with their films such indications of mood as pleasant, sad, lively. The suggestions became more explicit, and so emerged the musical cue sheet containing indications of mood, the titles of suitable pieces of music, and precise directions to show where one piece led into the next.
Certain films had music especially composed for them. The most famous of these early special scores was that composed and arranged for D.W Griffiths film Birth of a Nation, which was released in 1915.
职场英语口语 第12期:结束电话
职场社交英语口语对话 Lesson 59:你早就知道是我?
世界500强招聘的三个核心衡量要素
世界500强能力素质要求的面试问答(3)
英语情景口语对话:求职面试
职场英语口语 第28期:批评
时尚白领口语100句
世界500强能力素质要求的面试问答(1)
职场社交英语口语对话 Lesson 56:你现在要怎么做?
职场英语口语 第24期:表示感谢(二)
三大外企英文面试过关绝招
职场社交英语口语对话 Lesson 52:我能信得过你吗?
职场社交英语口语对话 Lesson 61:咱俩都是诈包
双语支招:必须避免的17个致命面试错误
职场社交英语口语对话 Lesson 69:灵验了吗?
世界500强能力素质要求的面试问答(6)
职场英语口语 第22期:调换工作
职场社交英语口语对话 Lesson 57:是跟仰慕者碰面的时候了
职场英语口语 第7期:辞职(一)
职场英语口语 第26期:你被雇用了
职场社交英语口语对话 Lesson 58:他是间谍?
职场社交英语口语对话 Lesson 66:我现在是自由工作者
职场英语口语 第21期:薪水问题
如何在面试中脱颖而出
世界500强能力素质要求的面试问答(4)
职场社交英语口语对话 Lesson 68:我知道最适合的人选
职场英语口语 ;第8期:辞职(二)
英语口语情景会话:给新来的同事介绍工作
职场英语口语 ;第9期:送礼物
世界500强能力素质要求的面试问答(2)
| 不限 |
| 英语教案 |
| 英语课件 |
| 英语试题 |
| 不限 |
| 不限 |
| 上册 |
| 下册 |
| 不限 |